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The Social History of Smoking

George Latimer Apperson

Chapter 3:

Musicke, tobacco, sacke and sleepe,
The tide of sorrow backward keep.

An ingenious lover of his pipe declared ironically in the same year that he had found three bad qualities in tobacco, for it made a man a thief (which meant danger), a good fellow (which meant cost), and a niggard ("the name of which is hateful"). "It makes him a theefe," he continued "for he will steale it from his father; a good fellow, for he will give the smoake to a beggar; a niggard, for he will not part with his box to an Emperor!" A character in one of Chapman's plays, 1606, calls tobacco "the gentleman's saint and the soldier's idol." A little-known bard of 1630—Barten Holiday—wrote a poem of eight stanzas with chorus to each in praise of tobacco, in which he showed with a touch of burlesque that the herb was a musician, a lawyer, a physician, a traveller, a critic, an ignis fatuus, and a whiffler, i.e. a braggart. The first verse may suffice as a specimen:

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The Social History of Smoking

George Latimer Apperson

Chapter 2:

It may be noted, by the way, that the gallant had no hesitation about smoking in the presence of ladies. Gostanzo, in Chapman's "All Fools," 1605, says:

And for discourse in my fair mistress's presence
I did not, as you barren gallants do,
Fill my discourses up drinking tobacco.

And in Ben Jonson's "Every Man out of his Humour," 1600, Fastidious Brisk, "a neat, spruce, affecting courtier," smokes while he talks to his mistress. A feather-headed gallant, when in the presence of ladies, often found himself, like others of his tribe of later date, gravelled for lack of matter for conversation, and the puffing of tobacco-smoke helped to occupy the pauses.

When our gallant went to the theatre he loved to occupy one of the stools at the side of the stage. There he could sit and smoke and embarrass the actors with his audible criticisms of play and players.

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